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the title page of The Great Mirror of Folly, it reads: Het Groote Tafareel der Dwaasheid

The Great Mirror of Folly

a chaotic street scene where the goddess fortuna walks in a gust of wind dolling out stock shares to a rambunctious crowd

Bernard Baron (French, 1696–1762) after Bernard Picart (French, 1673–1733), A Monument Dedicated to Posterity in Commemoration of Ye Incredible Folly Transacted in the Year 1720, 1721 Hand-colored etching and engraving, Miriam and Ira D. Wallach Division of Art, Prints, and Photographs

Introduction: Picturing The World's First Bubble Economy

In 1720, everyday citizens converged on the banking streets of Paris, London, and Amsterdam, speculating in New World trading companies and other maritime ventures. By the close of that year, an unprecedented bull market would culminate in the world’s first international financial crash. Orchestrated by the insolvent governments of France and England, and fueled by illusions of colonial wealth, these investment bonanzas — henceforth known as the Mississippi and South Sea Bubbles —have remained synonymous with the temptations of get- rich-quick schemes and the dangers of herd behavior. Three centuries and many booms and busts later, their imprint is indelible. The bubbles did more than accelerate the growth of a financial system overflowing with stock shares, newly created banknotes, and other mysterious paper devices. They also illustrated the enduring power of faith and fear as drivers of market volatility.

The works displayed here, drawn from the Library’s collections, include a trove of caricatures from a Dutch volume known as The Great Mirror of Folly (Het Groote Tafereel der Dwaasheid). Published as the crisis was unfolding, these prints portray the bewildering forces of modern economic life. Loaded with jokes, often of a scatological nature, The Great Mirror of Folly lifts the curtain on a farcical political theater whose stars include bankers and statesmen— and that’s just for starters.

Offering tragicomic depictions of malevolent traders, hoodwinked investors, and villainous seductresses, the prints hold up a mirror to our own age, with its ever more complex monetary instruments and periodic meltdowns. They also reflect on the intersections between art and finance, reminding us that both are products of human imaginings.

The New York Public Library believes that this item is in the public domain under the laws of the United States, but did not make a determination as to its copyright status under the copyright laws of other countries.

Items in Introduction: Picturing The World's First Bubble Economy

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  • a chaotic street scene where the goddess fortuna walks in a gust of wind dolling out stock shares to a rambunctious crowd

    Introduction: Picturing The World's First Bubble Economy Introduction

  • the title page of The Great Mirror of Folly, it reads: Het Groote Tafareel der Dwaasheid

    The Great Mirror of Folly

  • a round hatbox-sized container has two tubes coming from it: one going up and one pointing out through the side. The lantern itself is brightly striped with red, blue, green, and yellow

    Polychrome Magic Lantern

  • a distorted short and round man in eighteenth century clothing walks along announcing the wonders of the magic lantern he carries on his back

    The Night Singer of Shares, with his Magic-Lantern

  • a sheet with 18 individual cards, each depicting a carnival scene including bear taming, tight rope walking, and a contortionist stretching themselves

    Magic Card or Remedy for the Wind-Breaking of the Southwest and the Departure of the Cartouche

  • a chaotic street scene where the goddess fortuna walks in a gust of wind dolling out stock shares to a rambunctious crowd

    A Monument Dedicated to Posterity in Commemoration of Ye Incredible Folly Transacted in the Year 1720

  • a chaotic street scene where the goddess fortuna walks in a gust of wind dolling out stock shares to a rambunctious crowd

    Picturing the World's First Bubble Economy