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Historic 1862 photo of a view in Central Park, featuring the stairs and arches leading to Bethesda Fountain

Two photographs from Central Park in 1862

Printed map on tan paper showing the streets of 18th-century New York.

18th-century plan of New York City

Handwritten letter of brown ink on off-white paper printed with a header reading “Head Quarters Twelfth Corps, Army of the Potomoc”

Letter from Assistant Adjutant-General H.C. Rodgers to Brigadier General Thomas Howard Ruger (1833–1907)
August 15th, 1863
Lionel Pincus and Princess Firyal Map Division

Letter from Assistant Adjutant-General H.C. Rodgers to Brigadier General Thomas Howard Ruger (1833–1907)

On July 13th, 1863, the largest racially charged riots in the history of the United States occurred in New York City. In March of that year Congress passed the Enrollment Act, the first national draft in U.S. history. Since Black men were ineligible for conscription—they were not considered citizens—and wealthy white men could hire a substitute, the men of the working classes saw that the war’s future depended on them. Then and now, the riots are frequently attributed to Irish immigrants’ outrage at the draft. But the larger context includes racialized fear stoked by the political organization Tammany Hall and leading and local newspapers, as well as New York City’s economic connections to the Confederacy. This was primarily through trade in cotton, which employed a large proportion of the lower-class Irish immigrant population.

From July 13th, the second day of the draft, through the 16th, white mobs ransacked, damaged, or burned the homes of Blacks and abolitionists, Protestant churches that provided services to Blacks, and the Colored Orphan Asylum at 44th Street and Fifth Avenue. Black people were systematically attacked, with some dragged from their homes, beaten or murdered on the streets, hanged in public, or forced into the rivers to drown. While there is no official death toll, the numbers range from hundreds to more than 2,000.

The riots were eventually quelled by the arrival of the New York State Militia and Federal troops from Gettysburg. This letter relates to the movement of troops out of New York City to Alexandria, Virginia, one month after the riots.

: Lionel Pincus and Princess Firyal Map Division

: View record

Not currently on view

The New York Public Library believes that this item is in the public domain under the laws of the United States, but did not make a determination as to its copyright status under the copyright laws of other countries. This item may not be in the public domain under the laws of other countries. Though not required, if you want to credit us as the source, please use the following statement, "From The New York Public Library," and provide a link back to the item on our Digital Collections site. Doing so helps us track how our collection is used and helps justify freely releasing even more content in the future.

Items in New York City

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  • Detail of small bronze model of a larger sculpture called Lift Every Voice and Sing (Harp), which features a line of people of various heights standing close together so they resemble a harp.

    New York City Introduction

  • Historic 1862 photo of a view in Central Park, featuring the stairs and arches leading to Bethesda Fountain

    Two photographs from Central Park in 1862

    Not currently on view

  • Handwritten letter of brown ink on off-white paper printed with a header reading “Head Quarters Twelfth Corps, Army of the Potomoc”

    Letter from Assistant Adjutant-General H.C. Rodgers to Brigadier General Thomas Howard Ruger

    Not currently on view

  • Printed map on tan paper showing the streets of 18th-century New York.

    18th-century plan of New York City

    Not currently on view

  • Print on off-white paper of the street grid of Manhattan and portions of Brooklyn with handwritten annotations in red ink

    Map of the City of New York., with annotations

    Not currently on view

  • Wide, panoramic, sepia-toned photograph showing the construction of one of the Brooklyn Bridge’s tours and an expanse of the island of Manhattan

    Panoramic view of Manhattan, showing Brooklyn Bridge under construction

    Not currently on view

  • Photograph of an open diary, with a two-page spread featuring lined paper with cursive script writing

    Diary kept by Helen Lansing Grinnell 

    Not currently on view

  • Detail of small bronze model of a larger sculpture called Lift Every Voice and Sing (Harp), which features a line of people of various heights standing close together so they resemble a harp.

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