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Photograph of an open diary, with a two-page spread featuring lined paper with cursive script writing

Diary kept by Helen Lansing Grinnell 

Closed publication with cover printed in black and purple ink, with a photograph of Richard Hell and noted contents including “link wray/nuyoricans/fashion/papal visit” and “Slum journal by Richard Hell”

East Village Eye

Cover of a newsletter printed in two columns with the headline “Mafia on the pot: Mafia Control of Gay Bars Comes to Public’s Attention”

Homophile Youth Movement in Neighborhoods
The New York Hymnal, vol. 1, no. 1
February 1968
Lesbian, Gay, Bisexual and Transgender Periodical Collection, Manuscripts and Archives Division

The New York Hymnal, vol. 1, no. 1

In New York City in the 1960s, bars were sites of both liberation and danger for the LGBTQ+ community. While bars offered opportunities to meet other LGBTQ+ people, gays, lesbians, and transgender people were constantly in danger of arrest for showing affection, dancing closely, and wearing clothing that did not correspond with their legally assigned gender. At the time, a bar could be shut down for serving LGBTQ+ patrons, so many such venues were owned or controlled by organized crime. They were also sites of extortion, blackmail, and police entrapment. The New York Hymnal, a publication of the Homophile Youth Movement in Neighborhoods (H.Y.M.N), was produced by the activist Craig Rodwell, who was also a member of the gay rights organization Mattachine Society of New York and later the Gay Activists Alliance. In this first issue published in 1968, Rodwell reports on Mafia control of the now-famous bar The Stonewall Inn, site of the Stonewall Uprising in 1969 that is commemorated each year with LGBTQ+ Pride events around the world.

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  • Photograph of an open diary, with a two-page spread featuring lined paper with cursive script writing

    Diary kept by Helen Lansing Grinnell 

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  • Cover of a newsletter printed in two columns with the headline “Mafia on the pot: Mafia Control of Gay Bars Comes to Public’s Attention”

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  • Closed publication with cover printed in black and purple ink, with a photograph of Richard Hell and noted contents including “link wray/nuyoricans/fashion/papal visit” and “Slum journal by Richard Hell”

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  • Detail of small bronze model of a larger sculpture called Lift Every Voice and Sing (Harp), which features a line of people of various heights standing close together so they resemble a harp.

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