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Historic page from a 1985 manuscript of The Bonfire of the Vanities handwritten in cursive by Tom Wolfe with various editing marks and illustrations in the margins.

Page from Tom Wolfe’s manuscript draft of The Bonfire of the Vanities

Vertical architectural drawing titled “Brooklyn Tower” showing the construction of one of the towers of the Brooklyn Bridge and annotated in red and black ink

Architectural plans and drawings of the Brooklyn Bridge

image not available
© 2020 Romare Bearden Foundation / Licensed by VAGA at Artists Rights Society (ARS), NY

Jacob Lawrence (1917–2000)
Subway
Tempera on composition board, 1938
Art and Artifacts Division, Schomburg Center for Research in Black Culture

Note: This exhibition item cannot be displayed on the website.

Subway

Jacob Lawrence’s early works document life in Harlem, where he moved as a teenager in 1930. There he studied under the painter Charles Alston, first at the Utopia Children’s Center and later at the Works Progress Administration-sponsored Harlem Art Workshop. Through Alston he became acquainted with several leading figures of the Harlem Renaissance. Lawrence cited as a mentor the sculptor Augusta Savage, with whom he also studied and whose work is featured elsewhere in this section. Within a few years of completing this painting, Lawrence created a series of works based on the lives of prominent African Americans, among them Frederick Douglass and Harriet Tubman. His acclaimed series, The Migration of the American Negro, led to him becoming the first African American artist represented in the Museum of Modern Art’s collection.

: Art and Artifacts Division, Schomburg Center for Research in Black Culture

: View record

Currently on View at Stephen A. Schwarzman Building

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  • Detail of small bronze model of a larger sculpture called Lift Every Voice and Sing (Harp), which features a line of people of various heights standing close together so they resemble a harp.

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  • Historic page from a 1985 manuscript of The Bonfire of the Vanities handwritten in cursive by Tom Wolfe with various editing marks and illustrations in the margins.

    Page from Tom Wolfe’s manuscript draft of The Bonfire of the Vanities

  • image not available

    Jacob Lawrence’s Subway

  • Vertical architectural drawing titled “Brooklyn Tower” showing the construction of one of the towers of the Brooklyn Bridge and annotated in red and black ink

    Architectural plans and drawings of the Brooklyn Bridge

  • A scroll map, mostly rolled up with a small portion—the section showing the island of Manhattan—visible

    James T. Lloyd’s Topographical Map of the Hudson River

  • Illustration of a colorful quilt featuring illustrations of famous Black writers with several squares of text in the middle.

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  • Photo of an off-white piece of paper currency with a wavy top edge and text that indicates the paper is worth five shillings along with several signatures in the bottom right corner.

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  • Detail of small bronze model of a larger sculpture called Lift Every Voice and Sing (Harp), which features a line of people of various heights standing close together so they resemble a harp.

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