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Recording from Amelia Earhart’s International Broadcast in London, as picked up in New York by Silvertone

Recording from Amelia Earhart’s International Broadcast in London

Horizontal map of five panels showing Manhattan, colored in shades of green and tan

Egbert L. Viele’s Topographical Atlas of the City of New York

Collage on multi-colored paper with photos and illustrations of people and buildings.
© 2020 Romare Bearden Foundation / Licensed by VAGA at Artists Rights Society (ARS), NY

Romare Bearden (1911–1988)
Black Manhattan
Collage paper and synthetic paint on board, 1969 
Art and Artifacts Division, Schomburg Center for Research in Black Culture

 

Black Manhattan

Romare Bearden’s collages and photomontages cemented his reputation as a leading 20th-century visual artist. Bearden began his artistic career in 1935 as a cartoonist for the Baltimore Afro-American newspaper while studying at the Art Students League. Influenced by the cubist art he saw in Europe following his army service in World War II, Bearden moved away from his earlier figural approach and developed an abstract and improvisational style, depicting scenes of urban African American life and the streets of Harlem. He also designed sets and costumes for New York’s Alvin Ailey American Dance Theater.

: Art and Artifacts Division, Schomburg Center for Research in Black Culture

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Not currently on view

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  • Recording from Amelia Earhart’s International Broadcast in London, as picked up in New York by Silvertone

    Recording from Amelia Earhart’s International Broadcast in London

    Not currently on view

  • Collage on multi-colored paper with photos and illustrations of people and buildings.

    Romare Bearden’s Black Manhattan

    Not currently on view

  • Horizontal map of five panels showing Manhattan, colored in shades of green and tan

    Egbert L. Viele’s Topographical Atlas of the City of New York

    Not currently on view

  • Detailed horizontal map of Central Park showing roads and paths, trees, bodies of water, and structures

    Otto Sibeth’s Map of the Central Park

    Not currently on view

  • Historic 1862 photo of a view in Central Park, featuring the stairs and arches leading to Bethesda Fountain

    Two photographs from Central Park in 1862

    Not currently on view

  • Handwritten letter of brown ink on off-white paper printed with a header reading “Head Quarters Twelfth Corps, Army of the Potomoc”

    Letter from Assistant Adjutant-General H.C. Rodgers to Brigadier General Thomas Howard Ruger

    Not currently on view

  • Detail of small bronze model of a larger sculpture called Lift Every Voice and Sing (Harp), which features a line of people of various heights standing close together so they resemble a harp.

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