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A sheet of yellowing paper featuring a full page of typescript, with some revisions scatter throughout in green marker

James Baldwin’s draft of Go Tell It on the Mountain

Illustrative cover of a novel, depicting five people walking on a city street in front of a red and brown building with a sign that reads “Temple of the Free Baptised.” Across the street is a row of multicolored townhouse-style apartment buildings with various architectural details including fire escapes and handrails on the front stoops

1953 edition of Go Tell It on the Mountain

Two long and narrow sheets of typescript on yellowing paper displayed side by side. The left sheet contains the title, author’s name, and publishing information of the book, and the sheet on the right side shows page 91 of the text. There are some handwritten annotations and signs of wear and tear
© The Estate of James Baldwin

James Baldwin (1924–1987)
“Author’s 1st Proof,” Go Tell It on the Mountain
October–November 1952
James Baldwin Papers, Manuscripts, Archives, and Rare Books Division, Schomburg Center for Research in Black Culture

“Author’s 1st Proof,” Go Tell It on the Mountain

Formerly called Crying Holy, and before that, In My Father’s House, Baldwin’s first novel acquired its final title—appropriately—at high altitude. Baldwin completed it in February 1952 while staying at the mountain chalet of Lucien Happersberger in the Swiss Alps. Baldwin and Happersberger, the Swiss painter whom he later considered the love of his life, brought the finished manuscript—which he had worked on for the past 10 years—down the mountain to a post office and mailed it to New York.

Within months, the publisher Alfred A. Knopf expressed interest, and Baldwin returned to New York—the first time in three-and-a-half years—to meet the publisher and visit his family. By the time he received these galley proofs in the fall, he had returned to Europe.

: Manuscripts, Archives and Rare Books Division, Schomburg Center for Research in…

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  • Detail of frontispiece of Shakespeare's portfolio showing an engraving of the author in 17th-century dress. Above it reads: Published according to the true original copies.

    The Written Word Introduction

  • A sheet of yellowing paper featuring a full page of typescript, with some revisions scatter throughout in green marker

    James Baldwin’s draft of Go Tell It on the Mountain

  • Two long and narrow sheets of typescript on yellowing paper displayed side by side. The left sheet contains the title, author’s name, and publishing information of the book, and the sheet on the right side shows page 91 of the text. There are some handwritten annotations and signs of wear and tear

    “Author’s 1st Proof,” Go Tell It on the Mountain

  • Illustrative cover of a novel, depicting five people walking on a city street in front of a red and brown building with a sign that reads “Temple of the Free Baptised.” Across the street is a row of multicolored townhouse-style apartment buildings with various architectural details including fire escapes and handrails on the front stoops

    1953 edition of Go Tell It on the Mountain

  • Illustrative cover of a novel, depicting three figures in front of a large window of a brick building. The window has a sign that reads “Church of the Fire Baptised.” In the foreground, a man wearing a hat and a yellow shirt with a cigarette in his hand is standing closely behind a woman wearing a red shirt and red lipstick. Another young man wearing a striped shirt stands in the background, looking at the other couple

    First paperback edition of Go Tell It on the Mountain

  • Cover of a novel featuring the title with black lettering in a vertical red block along the left side, adjacent to a black-and white three-quarter portrait photograph of a Black man with his gaze forward

    James Baldwin’s Notes of a Native Son

  • A white postcard with handwriting in black ink, five postmarked purple stamps featuring an image of the Statue of Liberty, and a blue Air Mail sticker

    Postcard sent by James Baldwin to Beauford Delaney 

  • Detail of frontispiece of Shakespeare's portfolio showing an engraving of the author in 17th-century dress. Above it reads: Published according to the true original copies.

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