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Image of two copies of The Ladder, A Lesbian Review

The Ladder: A Lesbian Review

Ernestine Eckstein in a picket line with sign
Detail of image used for back cover of The Ladder, Vol. 10, No. 9, June 1966 (Ernestine Eckstein in picket line, photo by Kay Tobin)

Seen = Self-Assertion

Being private—remaining unseen and safe—can minimize immediate threats and discomforts in the lives of LGBTQ+ people, but it can also be constricting. In order to effect real social change and make things better for future generations of LGBTQ+ people, being visible is often imperative.

The items in this section are all from the Stephen A. Schwarzman Building’s Manuscripts and Archives Division. Though culled from just a few of the hundreds of collections that contain LGBTQ+ materials held by that division (including the ACT UP New York Records and the Barbara Gittings and Kay Tobin Lahusen Gay History Papers and Photographs), they serve as good representatives of our incredibly rich array of research materials. The photographs and ephemera presented here highlight a few brave LGBTQ+ activists and artists who made themselves seen—sometimes putting their own safety at risk—to publicly assert the rights and freedoms of LGBTQ+ people.

The New York Public Library holds or manages the copyright(s) in this item. If you need information about reusing this item, please go to: http://nypl.org/permissions

Items in Seen = Self-Assertion

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  • Ernestine Eckstein in a picket line with sign

    Seen = Self-Assertion Introduction

  • Image of two copies of The Ladder, A Lesbian Review

    The Ladder: A Lesbian Review

  • Black and white photograph of two women in march, wearing t-shirts: one says "butch," one says "femme"

    Kay Tobin photo of Nancy Tucker and Partner

  • Photograph of Sylvia Rivera holding a microphone, speaking in front of Washington Square arch

    Bettye Lane photo of Sylvia Rivera

  • Two men kiss; text below reads: "Read my lips"

    Gran Fury 'Read My Lips' Poster

  • Three black and white photographs of protesters in 1971. Signs read: "Fidelifacts spies on homosexuals," "Gay is Good" and "Fidelifacts traffics in human lives"

    Gay Activists Alliance Zap at Fidelifacts

  • Ernestine Eckstein in a picket line with sign

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