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Charles Dickens’s paper knife fashioned from the claw of the family cat, Bob.

Charles Dickens’s paper knife

Gray box reading Image Not Available

“Man Reading,” or “Man Liberated by Books”

A printed book open to show two pages of text that have been underlined, eliminated, and augmented by the author in blue ink

Charles Dickens (1812–1870)
Dickens’s reading copy of David Copperfield

Privately printed by W. Clowes, 1866
Henry W. and Albert A. Berg Collection of English and American Literature

Dickens’s reading copy of David Copperfield

David Copperfield (1850) was Dickens’s favorite novel and his most autobiographical work. He began adapting it for his repertoire of public readings in January 1855. This is Dickens’s own “prompt copy,” which he prepared by cutting and pasting the printed text onto the blank pages of a book. Following his first public performance of David Copperfield in 1861, he revised and annotated this copy, using it as his script and for stage directions. Dickens possessed considerable dramatic ability and relished his histrionic performances, writing to a friend in 1862: “I read ‘Copperfield,’ and positively enthralled the people. It was a most overpowering effect, and poor Andrew [a lieutenant in the Royal Navy] came behind the screen, after the storm, and cried in the best and manliest manner.”

: Henry W. and Albert A. Berg Collection of English and American Literature

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Currently on View at Stephen A. Schwarzman Building

The New York Public Library believes that this item is in the public domain under the laws of the United States, but did not make a determination as to its copyright status under the copyright laws of other countries. This item may not be in the public domain under the laws of other countries. Though not required, if you want to credit us as the source, please use the following statement, "From The New York Public Library," and provide a link back to the item on our Digital Collections site. Doing so helps us track how our collection is used and helps justify freely releasing even more content in the future.

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  • A printed book open to show two pages of text that have been underlined, eliminated, and augmented by the author in blue ink

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  • Detail of frontispiece of Shakespeare's portfolio showing an engraving of the author in 17th-century dress. Above it reads: Published according to the true original copies.

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